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Published on Tuesday, February 13, 2018 by Chittorgarh.com Team | Modified on Wednesday, October 2, 2019
MiraBai (1498 - 1547) was a Rajput princess who lived in the north Indian state of Rajasthan. She was a devout follower of Lord Krishna. MiraBai was one of the foremost exponents of the Prema Bhakti (Divine Love) and an inspired poetess. She sang in vraja-bhasha, sometimes mixed with rajasthani, in praise of Giridhara Gopala (Shri Krishna), her lord for whom she developed in her heart the most intense love and devotion.
Please Note: Mirabai, Mira Bai, Meerabai or Meera - All name belongs to same person. For better search ability on search engines we have used all these names in below story. It may cause a little confusion and we apologies in advance.
MiraBai was born in 1504 AD at Chaukari village in Merta District of Rajasthan. Merta was a small state in Marwar, Rajasthan ruled by the Ranthors, great devotees of Vishnu. Her father, Ratan Singh, was the second son of Rao Duda ji, a descendent of Rao Jodha ji Rathor, the founder of Jodhpur. MiraBai was raised and nurtured by her grandfather. As customary with royal families, her education included knowledge of scriptures, music, archery, fencing, horseback riding and driving chariots. She was also trained to wield weapons in case of a war. However, MiraBai also grew up amidst an atmosphere of total Krishna consciousness, which was responsible in molding her life in the path of total devotion towards Lord Krishna.
When she was just four years of age, she manifested her deep devotion to Krishna. MiraBai watched a marriage procession in front of her residence. MiraBai, the child, spotted the well-dressed bridegroom and asked her mother innocently, 'Dear mother, who will be my bridegroom?' MiraBai's mother smiled, and half in jest and half in earnest, pointed towards the image of Sri Krishna and said, 'My dear Mira, Lord Krishna - this beautiful fellow - is going to be your bridegroom'. Soon after, MiraBai's mother passed on. As MiraBai grew up, her desire to be with her Krishna grew intensely and she believed that Lord Krishna would come to marry her. In due course, she became firmly convinced that Krishna was to be her husband.
MiraBai was soft-spoken, mild-mannered, gifted, sweet, and sang with a melodious voice. She was reputed to be one of the most extraordinary beauties of her time with fame spreading to several kingdoms and provinces. Her fame spread far and wide. Rana Sangram Singh, commonly known as Rana Sangha, the powerful King of Mewar, approached Rao Duda for MiraBai's hand in marriage to his son Bhojraj (also known as Rana Kumbha or KumbhaRana). Bhojraj wanted to marry MiraBai for her pious nature and divine intent. Rao Duda agreed to the union. However, MiraBai could not bear the thought of marrying a human being when her heart was filled with thoughts of every nature, all about her Krishna. But unable to go against her beloved grandfathers word, she finally consented to the marriage. MiraBai was wed to Rana Kumbha in 1513, before she turned 14. As ordained, MiraBai was dutiful. She left for (Chittorgarh) Mewar with the Rana Kumbha.
After her household duties were over, Meera would go to the temple of Lord Krishna, worship, sing and dance before Lord Krishna Idol daily. KumbhaRana's mother and other ladies of the palace did not like the ways of MiraBai, as they were worldly-minded and jealous. MiraBai's mother-in-law forced her to worship Durga and admonished her often. But MiraBai maintained, 'I have already given up my life to my beloved Lord Krishna'. MiraBai's sister-in-law Udabai formed a conspiracy and began to defame the innocent Meera. She informed Rana Kumbha that Meera was in secret love with some one, that she witnessed Meera talking to her lover(s) in the temple, and that she would show him the persons if he would accompany her one night. The ladies further raved that MiraBai, by her conduct, had brought a great slur on the reputation of the Rana family of Chittor. The enraged Kumbha ran with sword in hand towards Meera, but as luck would have it Meera had gone to her Krishna temple. A sober relative of the Rana counseled him, 'Rana! You will forever repent for your hasty behavior and consequences. Enquire into the allegation carefully and you will find the truth. Meera bai is a great devotee of the Lord. Remember why you sought her hand. Out of sheer jealousy the ladies might have concocted scandals against Meera Bai to incite you and ruin her'. Kumbha calmed down and accompanied his sister who persistently took him to the temple at dead of night. Rana Kumbha broke open the door, rushed inside and found Meera alone in her ecstatic mood talking and singing to the idol.
The Rana shouted at Meera, 'Meera, show me your lover with whom you are talking now'. Meera replied, 'There sits He-my Lord-the Nanichora who has stolen my heart'. She went into a trance. The ladies floated other rumors that Meera was mixing very freely with Sadhus. Meera was unaffected by such scandals and continued to invite Bhagavathas to join her in Krishna bhajan at the temple. She stood unruffled in the face of accusations from the royal family. When questioned about her marital responsibilities, Meera responded that it was Krishna to whom she was married. KumbhaRana was heart-broken but remained a good husband and sympathizer of Meera until his death.
Rana's relatives began persecuting Meera in various ways, even though Meera had no desire for the throne. Meera was sent a basket with a cobra inside and a message that the basket contained a garland of flowers. Meera, after meditation, opened the basket and found inside a lovely idol of Sri Krishna with a garland of flowers. The relentless Rana (her brother-in-law) sent her a cup of poison with the message that it was nectar. Meera offered it to her Lord Krishna and took it as His Prasad. It was real nectar to her. The bed of nails that the Rana sent transformed into a bed of roses when Meera reposed on it.
When the torture and scandals continued, Meera sent a letter to Goswami Tulsidas and asked for his advice. She wrote, 'Simply because I am constantly tortured by my relatives, I cannot abandon my Krishna. I am unable to carry on with my devotional practices in the palace. I have made Giridhar Gopala my friend from my very childhood. I feel a total bondage with him. I cannot break that bond'.
Tulsidasji sent a reply: 'Abandon those who cannot understand you and who do not worship Rama or Syama, even though they are your dearest relatives. Prahlada abandoned his father; Vibhishana left his brother Ravana; Bharata deserted his stepmother; Bali forsook even his Guru; the Gopasthrees, the women of Vraja, disowned their husbands to get to their Krishna. Their lives were all the happier for having done so. The relation with God and the love of God are the only elements that are true and eternal; all other relationships are unreal and temporary'. Meera met up once again with her Guru and mentor Raidas, who is said to have lived to a ripe age of 118 years. She went into the slums often to be in the satsang of this great teacher. This was the impetus and inspiration behind the many queries and controversies that she raised about Kulam in her songs.
The turning point in Meerabai's life occurred when once Akbar and his court musician Tansen came in disguise to Chittor to hear Meera's devotional and inspiring songs. Both entered the temple and listened to Meera's soul - stirring songs to their heart's content. Before he departed, he touched the holy feet of Meera and placed a necklace of priceless gems in front of the idol as a present. Somehow the news reached the KumbhaRana that Akbar had entered the sacred temple in disguise, touched the feet of Meerabai and even presented her a necklace. The Rana became furious. He told Meerabai, 'Drown yourself in the river and never show your face to the world in future. You have brought great disgrace on my family'.
Meerabai obeyed the words of King. She proceeded to the river to drown herself. The names of the Lord 'Govinda, Giridhari, Gopala' were always on her lips. She sang and danced in ecstasy on her way to the river. When she raised her feet from the ground, a hand from behind grasped her and embraced her. She turned behind and saw her beloved Giridhari. She fainted on him. After a few minutes she opened her eyes. Lord Krishna smiled and gently whispered: 'My dear Meera, your life with your mortal relatives is over now. You are absolutely free. Be cheerful. You are and have always been mine.'
Meera walked barefoot on the hot sandy beds of Rajasthan. On her way, many ladies, children and devotees received her with great hospitality. She reached Brindavan (or Vrindaban). It was at Brindavan that she again met and was inspired by Sant Raidas. She went about Brindavan doing Oonchavritti and worshipped in the Govinda Mandir which has since become famous and is now a great place of pilgrimage for devotees from all over the world.
A repentant Kumbha came to Vrindavan to see Meera and prayed that he may be forgiven for all his previous wrongs and cruel deeds. He begged that Meera return to the kingdom and was assume her role as the queen once more. Meera said to Rana that Krishna is only one King and my life belongs to him. The KumbhaRana, for the first time, truly understood Meera's exalted state of mind and prostrated before her in reverence. He then promptly left Vrindavan a changed soul.
Jiva Gosain was the head of the Vaishnavites in Brindavan. Meera wanted to have Darshan of Jiva Gosain. He declined to see her. He sent word to Meera that he would not allow any woman in his presence. Mirabai retorted: 'Everybody in Brindavan is a woman. Only Giridhar Gopala is Purusha. Today only I have come to know that there is another Purusha besides Krishna in Brindavan'. Jiva Gosain was put to shame. He at once went to see Meera and paid her due respects.
Meera's fame spread far and wide. She was immersed in satsang day in and out. At the request of KumbhaRana, Meera returned to Mewar and Kumbha agreed to her request that she would reside in the temple of Krishna but would not restrict her movements and wanderings. From Mewar, she once again returned to Brindavan, and then went on to Dwaraka. The King went with her.
On Krishna's Janmashtami at the temple of Krishna. There was much happiness all around in the abode of the Lord. The light of the lamps, the sound of the bhajans and the energy from the devotees' ecstacy were filling the air. With Tamburi in one hand and cymbals or chipla in the other the great tapasvini was singing ecstatically with her Gopala smiling in front of her closed eyes. Meera stood up and danced with her song 'Mere Janama Maran ke sathee', and when the song ended, Kumbha gently approached her and requested her to come back. Meera said, 'Ranaji, the body is yours and you are a great devotee, but my mind, emotions and the soul are all his. I do not know what use am I to you at this state of mind'. Kumbha was moved and he started singing with her in unison. Meera rose up abruptly, stumbled and fell at the flowers on the feet of Giridhari. 'Oh, Giridhari, are you calling me, I am coming'. When Kumbha and the rest were watching in awe, there was a lightning which enveloped Meera and the sanctum doors closed on their own. When the doors opened again, Meera's saree was enveloping Lord Krishna's idol and her voice and the flute accompaniment were the only sounds that could be heard.
So many princesses and queens have come and gone. So many princesses, and queens have appeared on the stage of this world and vanished. How is it that the queen of Chittor alone is still remembered? Is this on account of her beauty? Is this on account of her poetic skill? No. It is on account of her renunciation, single-minded devotion to Lord Krishna and the self-realization. She conversed with Krishna. She ate with Krishna, her Beloved. She drank the Krishna-premarasa. She sang from the core of her heart about her unique spiritual experiences. She was indeed one of the foremost embodiments of Premabhakthi that ever walked on earth.
Meera Smrithi Sansathan (Meera Memorial Trust) along with the Chittorgarh district officials organise Meera Mahotsav every year on Sharad Purnima day (On Mirabai's birth anniversary) for 3 days. Many famous musicians and singers get together to sing bhajan's in this celebration. The 3 days celebration also features puja's, discussions, dances, fire works etc.
Meera is known for many beautiful bhajans that she sung in praise of lord Krishna. Few of the famous bhajan lyrics are as below:
Aisi lagi lagan, meera ho gayi magan
Wo to gali-gali hari guna ganne lagi
Mehlo mein pali, ban ke jogun chali
Meera rani divani kahane lagi
Aisi lagi lagan, meera ho gayi magan - 2
Koi roke nahi, koi toke nahi
Meera govinda gopal-e ganne lagi
Baithi santon ke sang, rangi mohan ke rang
Meera premi pritam ko manane lagi
Aisi lagi lagan, meera ho gayi magan
Wo to gali-gali hari guna ganne lagi
Mehlo mein pali, ban ke jogun chali
Meera rani divani kahane lagi
Aisi lagi lagan, meera ho gayi magan - 2
Rana ne vish diya, mano amrit piya
Meera sagar mein sarita samane lagi
Dukh-e lakhon sahe, mukse govind kahe
Meera govinda gopal-e ganne lagi
Aisi lagi lagan, meera ho gayi magan
Wo to gali-gali hari guna ganne lagi
Mehlo mein pali, ban ke jogun chali
Meera rani divani kahane lagi
Aisi lagi lagan, meera ho gayi magan - 3
Paayoji maine shyaam ratan dhan paayo - 2
Janam janam ki punji paayi,
Jag me sabhi khovaayo,
Paayoji maine shyaam ratan dhan paayo - 2
Kharch na laage koi chor na loote,
Din din hot savaayo,
Paayoji maine shyaam ratan dhan paayo - 2
Satki naav khevaaya sat guru,
Kari kripa apanaayo,
Paayoji maine shyaam ratan dhan paayo - 2
Mira ke prabhu giridhar nagar,
Harshi harshi jas gaayo,
Paayoji maine shyaam ratan dhan paayo - 2
Jo tum chhoodo piya
Main nahi chhodu re
Tosai preet joudi Krishna
Kaun sang joudu re...
Meera nai toe keh daala,
Main kya boolu mere Ram,
Is kalyug ke bhoolbhlaiya mein khoye
Mere who sawarai, sunder Shyam
Janam sai he, iss vyakkol mann mein,
Ek pyaas ajeeb samayee hai
Mein bhi banoo ek din piya ki pyaree
Yeh tujhe se duhai hai
Itna toe batla de o Bhagwan
Is bhanwar mein jo tune utaara hai
Mere Kanha ko bhi is kalyug mein
Behshaque tone kahin banaaya hai
Mann main bassi hai moore Prabhu
Meera ki he madhoor vani,
Tann mein agann jale hai morai
Radha se mai prem diwanee
Iss matwali kaari duniya mein
Morai Kaanha, tohe kahan dhoondhu mai,
Mein tori raah ektook ho dekhoo
Bus aur kuch bhi naa janoo mai
Pal bhi yeh aass nahi mitt-paatee
Ke ek din tu bhi aayeega,
Is bawari, akeli bairagan ko he
Tu saprem apni Radha banayega
barasai badariyaa saavan kii,
saavan kii man bhaavan kii.
saavan me.n umagyo mero manavaa,
bhanak sunii hari aavan kii..
uma.D ghuma.D chahu.n disase aayo,
daamaNa damake jhar laavan kii.
naanhii.n naanhii.n buu.ndan mehaa barasai,
siital pavan sohaavan kii..
miiraa.N ke prabhu giradhar naagar,
aananda ma.ngal gaavan kii..
herii mhaa darad divaaNaa.N
mhaaraa darad n jaaNyaa.N koya.
ghaayal rii gat ghaayal jaaNyaa.N
hiba.Do agaN sanjoya..
jauhar kii gat jauharii jaaNai
kyaa jaaNyaa.N jaN khoya.
miiraa.N rii prabhu piir miTaa.Ngaa
jab vaid saa.Nvaro hoya..
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